We shot with the Red One HD camera so source material is raw. We then converted it to edit the shots with FCP.<br>I can ask the editor to give me other details since I'm just anticipating the moment we'll release the movie.<br>
Were it for the editor only, it would be encoded with some H.264 codec without further discussion.<br><br>Thank you,<br><br>LF<br><br><div class="gmail_quote">On Fri, Jan 9, 2009 at 11:03, <span dir="ltr"><<a href="mailto:j@thing.net">j@thing.net</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Hi Laurent,<br>
<div class="Ih2E3d"><br>
> We're currently editing a video advertizing Firefox and plan to<br>
> release it exclusively encoded with Theora during a couple of days<br>
> (before it hits YouTube, DailyMotion...).<br>
><br>
> Editing is done with Final Cut Pro so sources are QT files. What is<br>
> your experience of encoding QT to Theora?<br>
</div>what codec is your timeline in? if you edit DV or HDV material, you<br>
should export the final timeline as self contained quicktime file(not<br>
quicktime conversion), that way you export it without encoding into<br>
another intermediate format. the resulting .mov file you can encode with<br>
ffmpeg2theora<br>
<br>
<br>
j<br>
</blockquote></div><br>