Hi Ralph,<br><br>Sure, we had our mind set on the NC-ND CC licence, and we would be delighted to help by providing the source master.<br>Actually the editor had decided not to use FCP since he has to think the CGI globally before coming down to editing.<br>
<br>Thank you,<br><br>LF<br><br><div class="gmail_quote">On Fri, Jan 9, 2009 at 20:21, Ralph Giles <span dir="ltr"><<a href="mailto:giles@xiph.org">giles@xiph.org</a>></span> wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
<div class="Ih2E3d">On Fri, Jan 9, 2009 at 2:14 AM, Laurent Fraisse <<a href="mailto:lfraisse@gmail.com">lfraisse@gmail.com</a>> wrote:<br>
<br>
> We shot with the Red One HD camera so source material is raw. We then<br>
> converted it to edit the shots with FCP.<br>
<br>
</div>Nice. BTW, if it does turn out you actually cut in raw,<br>
redistributeable lossless masters for HD content are quite valuable<br>
for (open source) video codec testing and development. If you're<br>
willing to distribute an uncompressed version under a CC license (or<br>
similar) we can probably find hosting for it.<br>
<br>
As far as how to do the theora version, I second j's workflow suggestion.<br>
<font color="#888888"><br>
-r<br>
</font></blockquote></div><br>